Born in January, 1924, Maxwell Roach would become one of the defining percussionists of his era. A pioneer in bebop, he played with game-changers like Charlie Parker, Dizzy Gillespie, Charlie Mingus, Thelonious Monk and Miles Davis, led a sublime quintet with Clifford Brown in the 1950s, and kept reinventing his sound, exploring free jazz and even delving into hip-hop. Roach was a political animal, and his music was inextricable from his activism. With his wife Abby Lincoln he recorded We Insist! in 1960, a seminal protest record at the advent of the Civil Rights period. Based on interviews recorded with Roach by co-directors Sam Pollard (Two Trains Runnin’; MLK/FBI; Mr Soul!) and Ben Shapiro in the 1980s, The Drum Also Waltzes is a landmark celebration of a colossus in African American music.

In advance of the screening, we’re kicking off the Celebrating Black Futures series with a specially commissioned jazz set by the Feven Kidane Sextet and produced by the Jazz Infidels.

Trumpeter Feven Kidane brings a dynamic group of six to play the music of Max Roach in belated 100th birthday and Black History Month celebrations. She is delighted to bring aboard Quincy Mayes on keys, Nebyu Yohannes on trombone, John Nicholson on sax, Bella Fedrigo on bass, and Edmonton’s Biboye Onanuga on drums.

Band:
Feven Kidane – Trumpet
Nebyu Yohannes – Trombone
Quincy Mayes – Piano
Biboye Onanuga – Drums
John Nicholson – Sax
Bella Fedrigo – Bass

Feven Kidane Sextet: 6:40 pm (50 minute set + ten minute intermission)
Max Roach: The Drum Also Waltzes: 7:40 pm approx